1 – Hi, first could you introduce yourself to the readers who don’t know you?
2 – Could you tell us a bit about the History of the label, it’s important moments etc?
There hasn’t really been any important moments, but the label itself was an important moment. I got into lolicore in 2011, this was the same time when many of the 1st wave artists were either quitting or moving on from the genre. I had a few circles of friends but everyone was pretty scattered across numerous websites. RaevLoli came up with the idea of making a Facebook group, so we made Lolicore Artists Association. All of us were making music but we didn’t really have anywhere to put it, you can always self-release but if you don’t have a strong fanbase its basically lost in the sea of the internet. I initially created Tsundere Violence as a home for my friends and I to release on, then it started to grow, and has grown massively since those early days.
As with the importance thing, the important moment was the existence of the label itself. It revitalized lolicore, which was a dying genre at the time. It was the Bubblegum Luv and UGU of the second wave. But unlike those labels that died off with the first wave, Tsundere Violence is still going strong long into the 3rd wave, and for all waves to come. Tsundere Violence kept lolicore alive.
3 – You mainly do digital releases but you still have a store with merch including physical copies of some of your releases but also shirts , stickers etc, do you plan to make this bigger with the time passing by or keep mainly on a netlabel format?
4 – Could you tell us what are your top 3 favourite releases on Tsundere Violence?
This is the hardest question to answer lol, there’s just so many things on the label and stuff is so varied. Its really hard to pick the best three, but if someone who was new to the label and asked what artists to check out I would say: Napkin Terrorizer, Ennnn, Himeko Katagiri, Ninja McTits, Vaenus / Reizikini, GUNSLINGER-R / AMEN JUNKY / CDR, RaevLoli, Tsubaki Yeah!, Kyary Ero Guro, TETSURO, GHETTOLOLITECH, Floppie, Schoolgirl Upon Thy Corpse, and of course all of the compilations~!
But aaaaaaaaaaaaa, I know after this interview goes public I’m going to constantly go “DARN I WISH I MENTIONED _____”. Thanks fam for the new “I wish I did this differently” scenario~! :^)
Seriously though, people who like exploring music and finding sonic treasure can have a lot of fun exploring the 900+ releases. Download tons of stuff, explore artists and their releases over the years, stuff on there is diverse, even releases from the same person can sound nothing alike. Download stuff and have fun~!
6 – Could you explain to newcomers what lolicore is?
This should’ve been question two lol haha B) (editor’s note : Indeed. I’m still a beginner at interviewing :P)
I’ve seen a lot of people give incorrect definitions of lolicore, so its good that I’m being asked this~
Also, when I said that people give wrong definitions I meant stuff like this:
• People say it parodies lolicon otaku culture, but they mean it in a way that’s untrue. I’ve seen people try to imply that lolicore is somehow against what its about. WHAT THE FUCK, HOW???? Whoever says this is a poser, lolicore artists make fun of themselves because its hilarious. They aren’t anti-lolicon, they aren’t anti-otaku, they’re just making funny titles, its part of the culture. Lolicore is not meant to be PC, its literally a genre about the sexualization of children, its not anti-lolicon because the listener might be against it. Is white power music no longer racist because you’re not? Also, a lot of lolicore artists are lolicons, and not all are 2D only, cheesy pizza anyone? :^) (editor’s note : we here sure do not support non-2D lolicon, actually we find this quite disgusting!)/end rant
7 – You told me recently you have quite a shitton of projects yourself, could you tell us about your most important ones and which ones would you recommend us to check?
Yeah dude, I have literally like AT LEAST 60+ different aliases, and almost all of them are still active (even the ones that barely have any releases, lol). I remember this dude in high school was somehow disturbed by the alias thing, and I only had a few at the time. Himeko Katagiri is definitely my most important one, its my persona, and my best music is released as it. My other most important one is Ninja McTits, its my most active alias and is mostly for noise but I’ve released lolicore and what not as it too. I’m actually a very stressed out person and doing noise really makes me feel better, even if I end up bleeding after recording sessions~! There’s Recovering Hikikomori too, its cloud trap stuff, it took a long time to finally get my sound together for that alias but its really fun remixing music I like. Also check out Sunblock Bukkake and Protostomia. There’s Seifuku Sound too, its totally unlike the rest of aliases, its very soundtracky, sounds like JRPG and anime music. My friend and I made a black metal circle last year and that has been birthing tons of new projects, both solo and bands. When the time comes, the info about the circle and the link to where to purchase the tapes will ONLY be available on my personal Facebook, but I wanted to troll those who can’t get them since kvlt and what not haha >:^3
Hopefully this doesn’t crash FireFox since I’ve been typing all of this in my email, but here’s a list of all of my aliases and bands that I can think of, there might be more by the time this interview is released:
Himeko Katagiri (Breakcore / Lolicore)
Ninja McTits (Noise / Lolicore)
Recovering Hikikomori (Cloud Trap / Instrumental Hip-Hop)
Belgum Trail (IDM)
Sunblock Bukkake (Loligrind)
PANTSU SCUM (Scum)
Seifuku Sound (JRPG, Anime, And Eroge styled BGM / Classical)
Prometh (Dungeon Synth)
TCLB (Field Recording)
C. (Experimental Classical)
Ibuki Mioda (Raw Black Metal)
ChibiuSSa Kult (Stupidly Raw Black Metal)
White Genocide (Southern RAC / Black Metal)
1960’s Daisuki (HNW)
Zange Chiroh (Christian Black Ambient)
DJ Tsundere Violence (DJ)
DJ Nonstick Cookware (Mashup / Screw)
DJ Nurse Joy (Ultra Shit Mashcore)
DJ ебать війни (Hardvapour)
11:30 PM (UTAU Dreampop / IDM / House / Moeclick)
An-Nāṣirah (Industrial / Noise / Instrumental Hip-Hop / Turntablism)
Azusa The Raw Data Tester (Experimental)
Burkha ضجيج (Industrial / Noise / Instrumental Hip-Hop / Turntablism)
Ｆｉｌｅ Ｃｉｔｙ (Vaporwave)
HarshNoise Suzumiya (Plunderphonics Noise)
Lolitendo (NESBM / Chiptune)
Omorashi (Instrumental Hip-Hop / Turntablism / Acid)
おやすみＦａｃｅｂｏｏｋ™ (Vaporwave / Mallsoft)
島田市 Ｊａｐａｎ １９９５ (Vaporwave)
Beauty Nails (Vaporwave)
加油站和便利店24/7 (Vaporwave / Mallsoft)
李桂英 ＆ 吳趙 Ｌａｗ Ｆｉｒｍ (Vaporwave)
Chrono Crusader (Christian Black Metal)
ＬＯＬＩヴォミツ (Parody Black Metal)
CCCCCCCCxxxxxxxcxxccxc (Parody Cybergrind)
Missed Call Of Misanthropy (Cellphone Black Metal)
Randoseru (Vocaloid Grindcore)
Kupelekwa Kutokomea (Gorenoise / Noisegrind / Zoogrind)
Menorrhagia Anemia (Goregrind / Gorenoise)
Hedera Helix (Experimental Grindcore)
01000011 01101111 01110010 01110010 01110101 01110000 01110100 01100101 01100100 00100000 01000100 01100001 01110100 01100001 00100000 01001111 01100110 00100000 01010011 01110100 01101111 01110010 01100101 01100100 00100000 01010000 01110010 01101111 01100111 01110010 01100001 01101101 00100000 01001101 01100101 01101101 01101111 01110010 01111001 00100000 01001001 01101110 01100100 01110101 01100011 01101001 01101110 01100111 00100000 01010011 01101100 01101111 01110111 01101110 01100101 01110011 01110011 00100000 01001001 01101110 00100000 01010100 01101000 01100101 00100000 01000011 01100101 01101110 01110100 01110010 01100001 01101100 00100000 01010000 01110010 01101111 01100011 01100101 01110011 01110011 01101001 01101110 01100111 00100000 01010101 01101110 01101001 01110100 00100000 01000001 01101110 01100100 00100000 01000011 01101111 01101110 01110011 01110100 01100001 01101110 01110100 00100000 01000011 01110010 01100001 01110011 01101000 01101001 01101110 01100111 00100000 01001111 01100110 00100000 01010100 01101000 01100101 00100000 01001111 01110000 01100101 01110010 01100001 01110100 01101001 01101110 01100111 00100000 01010011 01111001 01110011 01110100 01100101 01101101 00100000 01001111 01101110 00100000 01000001 00100000 01010011 01110000 01101100 01101001 01101110 01110100 01100101 01110010 01100101 01100100 00100000 01010100 01110010 01101111 01101010 01100001 01101110 00100000 01000110 01101001 01101100 01101100 01100101 01100100 00100000 01001000 01100001 01110010 01100100 00100000 01000100 01101001 01110011 01101011 00100000 01000100 01110010 01101001 01110110 01100101 (Experimental Gorenoise)
Hot Tub Full Of Menstrual Blood (Gorenoise / Noisegrind / Noisecore)
Lonely Spacecraft (Space Ambient)
yumichanzeropoint367 (Experimental / Experimental Ambient / Ambient / Noise)
Fumiko Ishino (Acid / Techno)
Dog-Eared Loli (Pseudo-Zoogrind)
Kvlt Ov Kvroneko (Black Metal)
SS Brigade (Black Metal)
Frostbitten Freezerburned McFlurry Moon Forests Of Spooky Darkness (Parody Black Ambient)
Keyne Acqua (Xwave)
✝언약 예배 센터✝ (Christian Vaporwave)
Black Vampire (Gothic Symphonic Black Metal)
ＨＯＵＳＥ ＰＬＡＮＴオーディオ (Vaporwave)
Pony’s Home (Ambient)
Antarctica Exploration Team (Vapowave / Ambient)
Sanya V. Litvyak (Purposely bad raw black metal)
Manbavaran (Symphonic Black Metal)
Aryan Israeli Witch Kommando (Noise / Power Electronics / NS Techno)
ਆਰੀਅਨ ਪਿਰਾਮਿਡ 88 (NS Techno)
𒅒 88 (NS Techno)
Bands I’m in:
B*H (Noise / Speedcore)
Lolinacht (Raw Black Metal / NSBM)
Wolvenloli (Raw Black Metal / NSBM)
Neuroi Hive (Black Noise)
Photinia Loriformis (Instrumental Hip-Hop / Glitchcore)
Gaijiphace (Raw Black Metal)
Castus (Christian Raw Black Metal)
And uh, despite some of that being NSBM and having 88 and what not, I’m not a Nazi or racist. The NSBM ones are just about Strike Witches. The NS techno ones will take way too long to explain and it goes offtopic, but they’re meant to be comedic.
8 – Five years of activity for a netlabel is pretty unusual (I hope Moessacre will cross this symbolic line hehehe). What are the factors in your opinion which allowed it to last so long and with success?
Yeah dude its lasted forever~! And its going stronger than ever~! I think part of the success was simply just good timing, as I said earlier, it came into existence at the perfect timing. But of course I could’ve ran it into the ground. A lot of the success came from how dedicated I am to running it and my love for the music. I’ve always tried to have the label have a sense of community too. I love giving positive support to both new artists and established artists, and create a place for fans of this kind of music to get tons of it. I put A LOT of time into running the label, and always have ever since it started. Not to mention God blesses stuff when you do right (me turning down anti-Christian demos). My love for the label and my whole method is its success.
I’ll move on over to the next question to answer the rest~
9 – Could you give some pointers to beginners here?
I’m assuming this question is for those who want to make labels. First off, make sure that you truly want to run a label. What is your mindset? What is your goal? What do you want your label to be in the world? How much do you love music, truly, deeply, love it? How much do you want to help promote other musicians? Do you mind having large amounts of work to do constantly? If you don’t have positive answers for all of those then you shouldn’t run a label. A lot of people want to make a label since you’re in control, but it means nothing if you’re the only person on the label. You have to have a clear idea of where you’re going, and to be very determined and passionate to run a successful label. Also, promoting the releases is a VERY important thing. People wont want to release with you if they aren’t getting promoted, so you should make it very clear that you promote your artists. Even if everything you release is free, its still a business, and businesses that aren’t planned out fail. Businesses that aren’t promoted fail.
Also, Bandcamp labels come off as amateurish and most of them fail and/or are horribly operated, I think all labels should have an official website, even if you decide to use Bandcamp. Also, its just a trend, don’t build your label on a website that will die eventually.
10 – Even though you’re not even close to stuff like NSBM ideologically, a bunch of idiots still managed to stir controversy on your work because they still considered you not PC enough for their tastes. Did it have any consequence regarding your following or your “editorial line”?
(For those who don’t know, this question is referring to a bunch of libtards on Twitter getting mistaken and mobbing me calling me racist. But never once giving examples, arguments, claims, or reasoning seasoning.)
Oh no, not this whole can of worms, bottle of wax, some other combination of words. Its a current topic though in more ways than one so I can see why you asked it. “Not even close to stuff like NSBM” isn’t necessarily right, the best lies have some truth and that’s how those Twitter libtards tricked themselves into thinking nonsense. I’m a nationalist and they assume that means I’m some racist that thinks Trump is God and am a Nazi. But no, that’s so far from the truth (editor’s note : this is what I call not even close to NSBM which usually unironically advocates ethnic cleansing and other disgusting shit like that and I’m not fine with dealing with NSBM as well as far-left stuff.). I’m going to talk about America but most of this applies to a lot of countries. I just think countries should take care of their homeless and struggling single parents first. America has so many homeless people, and so many of them FOUGHT FOR THIS COUNTRY. I don’t even agree with war, but they fought to protect YOU. Its a completely disrespectful and horrible thing to do to be like “ok, you fought for us but fuck off, be homeless, these people from somewhere else are more important because they simply are from somewhere else”. After we fix the homeless situation, fix the housing market, and have a a strong and GROWING job market, then we can take in immigrants. Also, despite being a nationalist I really hate deportation. America has always been immigrants (yes libtards, Native Americans are immigrants too), so its against the fabric of this country to deport them, they’re Americans now. Liberals are anti-homess people, even those who are vets. I’m sorry, but I can’t agree with someone that thinks people from certain countries are more important than other people, thats racist as fuck.
Tsundere Violence and my music are not PC at all. (editor’s note : and I wouldn’t support you if it was!) I think libtards get confused and mixed up a lot with their obsession with virtue signaling. They don’t understand that the alt-right (many of which aren’t racists or Nazis) love to troll the fuck out of the right. Its funny to make yourself seem racist since it makes them implode, then they work themselves up so much that you can leave and they’ll be freaking out for days, for anti-liberal people who enjoy being annoying, this is hilarious. A lot of people who are anti-liberal are more against how they do things and how hypocritical they are. I’m all for not hating an entire group of people for the actions of some, but they act like Islam is the greatest thing on the planet, but then spew hate against Christianity and religion. If its OK to do a terror attack in the name of religion, then it should be fine to turn down a cake in the name of religion. I know this seems off-topic from the racist thing, but its a known fact that libs just call whoever they dislike racist, whether its even relevant or not. Tsundere Violence has never pandered to anyone, Tsundere Violence has never sold out, and I have no intention on ever doing that, especially not to a bunch of backwards-ass crybabies who can’t even come up with logical arguments. LIBERALS READING THIS, CONVINCE THOSE YOU HATE TO BECOME LIBERALS, THATS HOW EDUCATED ARGUMENTS WORK, NOT NAME CALLING. My email is public, if you honestly think you can convince me that its ok to let homeless people suffer, that people from other countries are superior simply because they’re from that country, and why terror attacks shouldn’t be reported and are acceptable but not making a cake is “literally Hitler”, then come at me bro.
Also, I’m not sure how the hell people in the LOLICORE scene can have a hissyfit over this nonsense. Lolicore has been a rightwing-leaning genre for most of its existence. A lot of these people (despite trying to pretend they have superior knowledge) don’t know fucking shit about lolicore. They don’t know that WarLoli existed. It was a small circle of people making chiptune, lolicore, noise, black metal (NSBM, NESBM), ambient, etc. Nazi and white power themes, imagery, and samples were very commonly used in the music put out by the circle. All of their music (even stuff that wasn’t lolicore) was very tightly tied to the lolicore scene, and Abra, the leader, says a lot of his music is lolicore. Of course these guys were re-purposing WP/NS into their own pro-lolicon message, but it was still very right wing, and NS. One of the dudes even has a band called Deadjewsoup for Haruhi’s sake. Yeah, that’s really liberal, lolicore is real liberal. Also, they ignored Japshitfun, an artist EVERYONE who likes lolicore should know. Of course he jokes around a lot, but he’s put lots of NS/WP themes in his music. You know, just like I have. I’m not a racist, and I honestly doubt that Japshitfun is too. People sometimes like NS/WP imagery and music and like trolling, its not meant to be taken seriously. There’s numerous other examples too, I even have some Princess Army Wedding Combat stickers from like 2009 that have algiz runes on them. I can’t find them for some reason but they say something like “Lolicore Ist Krieg” on them. I think a lot of this stuff is a mix between legitimate NS/WP stuff, trolling, resonating with the overall Nationalism, and just because it simply looks fucking cool and lolis with NS/WP stuff is fucking awesome. But either way, if its serious or not, it has leaned lolicore out of political neutrality and into the right. To my knowledge, no lolicore with a leftwing political message exists, there’s nothing to combat the political leaning, so lolicore is a right wing genre. This isn’t even anything new, this is all oldskool stuff. Also, PAWC and I have had a very long (probably too long) conversation about nazi lolis, and it has nothing to do with politics, views, or anything. It simply looks awesome and IS THE SUPREME ULTIMATE MOE~~~
All of those against me either didn’t really care for the label in the first place or just hopped on the virtue signaling bandwagon. The actual fanbase of the label is either right-wing or tolerant liberal or just doesn’t care. People were happy to know and I’ve even been thanked prior for the label not being liberal (and overall not being political at all). The rate of likes have actually ROSE since the scenario, and the rates of dislikes haven’t changed. Some really liberal folks like tooth eye (lol) and stuff have exiled me, which was a bit disheartening because the people that exiled me put on events, but other than that I really don’t give a fuck, everyone that left I didn’t even really care for. There was no consequences for the editorial line. Everyone that sends stuff, still send stuff. And I don’t plan on censoring or dumbing down releases to pander to the lib-extremists who are the minority in the label’s fanbase. Now if only Neko Girl’s Litter Box will ever finish his darn white power album, its been like 1488 years.
People need to realize that the whole world isn’t liberal, and that not everyone is going to succumb to it, there’s an uprising, and as Paul Joseph Watson has said, “Conservatism is the new punk rock, Conservatism is the new counter culture”.
Despite all of this, I actually try to keep the label as politically neutral as possible.
Also just to troll, RVFS is a bully cuck that got hivemined/peer pressured by a bunch of virtue signaling libtards then felt bad about it and got cucked by their emotions, haha nerd. Also, since I doubt I’ll ever talk to them again, those trolls might find and share this because being wrong is comedy gold to them for somereason. But ay, RVFS, I know that you’re just a brat, but respect your fucking scene elders. As I stated earlier, lolicore would’ve DIED without me. Also, your 3rd wave scene has its beginnings on Tsundere Violence. The pioneers of your scene had early releases on my label. You know, stuff like Bukiko and Nekophiliac and yeongrak. In every scene, in every culture, you’re meant to respect those who came before you, because they have built what you’re on. I wish your parents spanked you more growing up.
tfw you pwn someone so hard you get arrested for slavery
11 – The last word is yours!
Heil Loli and God Bless